Monster's Ball 2001 Película Completa en Español Latino

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Monster's Ball 2001 Película Completa en Español Latino

Equipo De Filmación

Coordinación Departamento de arte:
Jaela Anaël


Coordinador de acrobacias:
Jayce Sichère


Diseño de guión:
Marthe Granier


Imágenes : Mete Babette
Co-Produzent : Kenyon Reenie


Productor ejecutivo : Engel Joyce


Director de arte supervisor:
Genevie Andrey


Produce|Producir : Acacia Chloé


Fabricante: Larisa Madie


Actriz : Eran Céleste

6.7
490

Título de la película	Monster's Ball 2001 Película Completa en Español Latino
Momento	182 minuto
Lanzamiento	2001-11-11
objetos de valor	AAF 1080p BRRip
Categorías	Drama, Romance
habla	English
nombre de reparto	Rashed O. Marilyn, bbGmultimediaBélair T. Allaya, Yacqub L. Cugno

[HD] Monster's Ball 2001 Película Completa en Español Latino

***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's inter-racial affair leads to confusion and new ideas for the two unlikely lovers.

Monsters Ball 2001 IMDb ~ Set in the Southern United States Monsters Ball is a tale of a racist white man Hank who falls in love with a black woman named Leticia Ironically Hank is a prison guard working on Death Row who executed Leticias husband Hank and Leticias interracial affair leads to confusion and new ideas for the two unlikely lovers

Monsters Ball Wikipedia ~ Monsters Ball is a 2001 American romantic drama film directed by Marc Forster and written by Milo Addica and Will Rokos who also appear in the film It stars Billy Bob Thornton Heath Ledger Halle Berry and Peter Boyle with Sean Combs Mos Def and Coronji Calhoun in supporting n portrays a widowed corrections officer who begins a relationship with a woman Berry unaware

Monsters Ball 2002 Rotten Tomatoes ~ Monsters Ball 2001 is based on a screenplay by actors Milo Addica and Will Rokos who spent five years developing their script into a feature Their title refers to the name of an English

Monsters Ball 2001 Make Me Feel Good Scene 911 Movieclips ~ Monsters Ball 2001 is based on a screenplay by actors Milo Addica and Will Rokos who spent five years developing their script into a feature Their title refers to the name of an English

Monsters Ball 2001 Movie YouTube ~ Monsters Ball 2001 is based on a screenplay by actors Milo Addica and Will Rokos who spent five years developing their script into a feature Their title refers to the name of an English

Monsters Ball movie review film summary 2002 Roger ~ Monsters Ball is about a black woman and a white man who find for a time anyway solace in each other for their pain But their pain remains separate and so do they this is not a message movie about interracial relationships but the specific story of two desperate people whose lives are shaken by violent deaths and how in the days right after that they turn to each other because there

Monsters Ball Trailer ~ Monsters Ball is a 2001 romantic drama film directed by Marc Forster starring Billy Bob Thornton Halle Berry and Heath Ledger and written by Milo Addica and Will Rokos It was produced by

Monsters Ball 2001 Full Movie in High Quality 1080p ~ Monsters University Complete Top Quality Stream Part 1 of 15 High Quality 720

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